© 2021 Boise State Public Radio

For assistance accessing our public files, please contact us at boisestatepublicradio@boisestate.edu or call (208) 426-3663.
WebHeader_3.png
NPR in Idaho
Play Live Radio
Next Up:
0:00
0:00
Available On Air Stations
What is the single most important question about COVID-19 you think needs to be answered? Submit it for a special Idaho Matters Doctors Roundtable in English and Spanish.
Music

For percussionist Bonnie Whiting, any object can be an instrument

Seattle is a city that likes to experiment. From big tech to bold coffee, glass gardens to snow-capped mountains, Seattleites like to think outside the box — heck, even our hot dogs are a little unconventional. Our skyline's defining landmark is designed to look like a flying saucer from outer space.

So it's only natural that this same inventive spirit carries over into our music. From grunge to rock, pop, hip-hop, and the avant-garde, Seattle music has always been defined by open ears and open minds — shaped by a DIY aesthetic and set free to evolve and mutate in relative geographic isolation.

And those sonic experiments have led us to some pretty fascinating places. In this three-part series, Classical KING FM 98.1 explores the work of three artists who embody Seattle classical: the innovative, the unusual, and the unexpected.


If you want to be a percussionist in the 21st century, you've got to play a lot more than just drums. From flower pots to file racks and found objects, nothing should be off-limits. If you can hit, shake, or strike it, it's a percussion instrument.

That's what drew Bonnie Whiting to the big, wide world of contemporary percussion. There's a sense of flexibility and possibility — finding music in everyday objects. Whether you're toe-tapping and finger-snapping along to your favorite band or impatiently drumming your fingers on a desk, we all play a little bit of percussion.

That notion of immediacy and spontaneity informs a lot of Whiting's work. When she's not shaping young musical minds at the University of Washington, she's on stage playing her ever-expanding collection of hand-picked percussion instruments: everything from pots and pans to gongs and bongos.

And she's not afraid to use her voice. Whiting specializes in performing works for speaking and, oftentimes, singing percussion. She does all three in her new project Through the Eye(s). Created in collaboration with composer Eliza Brown, this percussion song cycle features the music and poetry of ten incarcerated women from the Indiana Women's Prison.

In this video, she talks with Seattle's Classical KING FM 98.1 about musical multitasking, finding your own voice, and percussion as the pulse of our humanity.


Watch more videos featuring Bonnie Whiting:

Copyright 2021 NPR. To see more, visit https://www.npr.org.