Heller McAlpin
Heller McAlpin is a New York-based critic who reviews books regularly for NPR.org, The Los Angeles Times, The Washington Post, The Christian Science Monitor, The San Francisco Chronicle and other publications.
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Powers climbs down from the treetops of The Overstory in his latest novel, to tell the story of a widowed father and his troubled son who head into the wilderness to try to figure out their lives. -
James Rebanks' new book Pastoral Song urgently conveys how the drive for cheap, mass-produced food has impoverished both small farmers and the soil, threatening humanity's future.
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Rachel Cusk follows her acclaimed Outline trilogy with this story about a woman whose lifelong obsession with a truculent painter is tested when he comes to stay at a cottage on her property.
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Patricia Lockwood's first novel follows an Extremely Online woman whose life changes forever when her niece is born with a serious illness — which sounds Hallmark-ready, but Lockwood pulls it off.
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A new book by Suleika Jaouad, author of the column "Life, Interrupted," encompasses a less familiar tale of what it's like to survive cancer and have to figure out how to live again in its aftermath.
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What's particularly salient in this book of previously uncollected essays is Didion's trademark farsightedness — especially striking decades later. But it does leave one wishing to hear from her now.
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Eley Williamsdid her doctoral dissertation on "mountweazels," fake words inserted into dictionaries as copyright traps — and she builds on that in her charming debut novel, about an epic dictionary.
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Fans of Jane Smiley's previous books will be pleased to see that talking horses make a return in her latest — plus a dog, a raven and a couple of ducks, all making lives for themselves in Paris.
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The British author writes beautifully of her own recent bout with a personal winter, a period when she felt low and overwhelmed — and aims to help others to embrace their winters.
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David Leavitt's new novel Shelter in Place aims for sparkling social comedy — but it's let down by a cast of privileged, shallow characters you wouldn't want to spend your lockdown with.
