-
Construction of an advanced nuclear power plant partly funded by the U.S. government is now underway in Wyoming. The Bill Gates-backed company says its technology is proven but there are still hurdles to nuclear.
-
An interview with Andrei Soldatov, co-author of the book, Our Dear Friends in Moscow. The book tells the story of how the hopes of a generation of optimistic Russians in the 1990’s was replaced by autocracy, fear, and betrayal.
-
On the final week of April, Christian Winn shares his prose poem, “Hold.”
-
The union of 19 Idaho Statesman staff members has pledged to strike against parent company McClatchy after months of failed contract negotiations.
-
The Reproductive Freedom and Privacy Act would allow doctors to perform abortions without the threat of jail time.
-
We speak with Tom Dale, former Nampa Mayor, Canyon County Commissioner, and southwest Idaho regional chair of the USS Idaho Commissioning Committee, about the ceremony.
-
An interview with Philippe Sands, author of 38 Londres Street. The book traces two of the 20th century’s most infamous war criminals, testing the limits of immunity and impunity after Nuremberg.
-
On the fourth week of April, Christian Winn reads “And Then the Weather Arrives,” a poem by Eileen Myles.
-
Boise County is asking the state attorney general for help in investigating allegations against its own officials. The accusations include interfering in a law enforcement investigation, violating open meeting laws, electioneering and misuse of public funds.
-
The batteries can become unstable at the end of their useful life, or if they sit in a hot environment or get jostled around or crushed. Batteries improperly placed in household trash have caused garbage trucks to catch fire.
-
On Saturday morning, hundreds of people gathered in Eagle where Highway 55 meets the foothills to witness a highly anticipated and uniquely local event: the trailing of the sheep.
-
The ALA says 4,235 titles were challenged at U.S. libraries — the second-highest year on record. Forty percent of the challenged works involved LGBTQ+ subjects or the experiences of people of color.