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  • Valli just released his first new studio album in 15 years, showing that he still has what it takes to be a pop singer. Romancing The '60s is a collection of songs he says he's always wanted to record. Hear an interview from WXPN.
  • With a voice suitable for both rock and folk, Vandaveer's Mark Charles Heidinger has a natural flair for the delivery of the latter. Through the simple tune and optimistic lyrics, he imparts a universal message in "However Many Takes It Takes."
  • Led by singer-songwriter Mark Eitzel, American Music Club lives up to its name by mixing very different types of American music. When it began in 1982, the band characterized what would become "slowcore," a style marked by its crawling pace. Hear an interview and performance.
  • Another batch of tender, heartbreaking, expansive, raw, unrelenting, labyrinthine new songs on this episode of All Songs Considered.
  • Los Angeles spawned a ton of remarkable music in 2010, and no one knows L.A. better than NPR station KCRW. Music director and Morning Becomes Eclectic host Jason Bentley selects his cream of the SoCal crop.
  • With Bob Boilen away this week, NPR Music's resident electronic experts return with more favorite new and upcoming releases.
  • Tame Impala's "Lucidity" is more about impact than innovation, but the music still stuns on contact. The track puts the band's best foot forward, with lead-guitar distortion so abrasive, it's like a burnt piece of meat loaf in a rusty frying pan.
  • The company unveiled the new version of its 1960s era compact car Monday. Chrysler's hoping the Dart will keep the reinvented car company on a roll. The company has started regaining some traction after a near collapse and a government bailout. It's now part of the Italian car company Fiat.
  • Prepare your skull goblets: Bob Boilen gets a doomy, crusty earful of the metal bands at Maryland Deathfest.
  • Colossus marks a departure from the comparatively traditional pop-rock sound of RJD2's 2007 album The Third Hand. His pop influences surface on tracks such as "The Glow," but his textures are driven by kick and snare patterns that resemble the hip-hop of his earlier work. Watch RJD2 demonstrate the process of creating sample-based music, using one of his own songs.
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