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Ukrainian President Volodymyr Zelenskyy called the visit a signal of bipartisan support from the U.S. Congress. The meeting took place as Ukraine said it had forced Russian troops away from Kharkiv.

Williamstown Theatre Festival in western Massachusetts offers a summer program that has been called "theater boot camp." British-trained actor Roger Rees is the company's new artistic director.

Countertenor David Daniels takes the brilliant title role in Julius Caesar, Handel's slightly offbeat take on Roman history, from Houston Grand Opera.

At one point or another, most people find themselves loving someone they shouldn't, often long after the consequences of their misplaced affections become clear. In "Can't Hold Me Back," Brothers and Sisters' Will Courtney sums it up in only a few words: "All the things I love about you outweigh the things that I do not."

High Places' members make looped music without loops; music that repeats itself without seeming repetitive. In "Head Spins," singer Mary Pearson's almost childlike lyrics are set against thick, appealingly handmade psychedelic landscapes.

For 30 years, Depeche Mode has pioneered electronic music with the use of synthesizers, influencing newer acts like Coldplay and The Killers. The band's latest record, Sounds of the Universe, combines past and future, tapping enduring themes such as lust and religion, while creating futuristic arrangements with drum machines.

The singer and songwriter's new double album, High Wide and Handsome: The Charlie Poole Project, is a tribute to the old-time country banjo player who died in 1931.

Beach House's sleepy "Saltwater" never feels weary or tiresome. Instead, it floats along in a wispy haze of skittering drumbeats that rise and fall like heartbeats. As Victoria Legrand sings, "Love you all the time / even though you're not mine," her voice sounds powerful and stripped bare.

Snow Patrol's newest release, 2006's Eyes Open, is the band's most cohesive and accessible statement yet. Beautiful and epic, it spawned a popular single in "Chasing Cars," which cemented Snow Patrol's status as a go-to band for romantic movie soundtracks.

Led by an acoustic guitar and a grand piano, Death Cab for Cutie plays a stripped-down session at The Current. Drawing from a decade's worth of material, the band pulls out an old favorite and plays two songs from its new album, Narrow Stairs.