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The Nat King Cole Show debuted in 1956, making singer and jazz pianist Nat "King" Cole the first black man to host a nationally televised variety program. Cole reluctantly challenged segregation on television and in American society, but a year later the show ended.

The popularity of Duranguense music has made the link between Chicago and Durango, Mexico, more visible. But the connection is deeper than most creators and fans of the music know.

President Bush names Air Force Gen. Michael Hayden to replace Porter Goss as director of the CIA, touching off what may be a tough confirmation battle. Several members of Congress have criticized a controversial eavesdropping program that Hayden ran as director of the National Security Agency.

LaQuedra Edwards had put $40 into a lottery vending machine at a supermarket in Los Angeles when "some rude person" bumped into her, causing her to buy a different lottery ticket than she intended.

Nearly 35 years after her self-titled debut album, Bonnie Raitt is still moaning the blues. Her latest album, Souls Alike, features her trademark slide guitar, which she says can produce "the saddest sound you've ever heard."

Coco Chanel's legacy has been carried on by designer and devotee Karl Lagerfeld. An exhibit opening Thursday at New York's Metropolitan Museum of Art demonstrates how Lagerfeld has extended Chanel's vision.

Lizzie Goodman from Blender magazine discusses new releases from Gnarls Barkley, The Raconteurs, The B-52's, and Madonna.

The young singer, part of a wave of British female pop stars finding success in the U.S., has been compared to Dusty Springfield and sparked rumors that her father is fellow Wales native Tom Jones. She talks about the tiny town where she grew up, and recording her first demos on a karaoke machine.

Ben Sollee just wants us to get along. On his debut, full-length release, Learning to Bend, the Kentucky-born singer offers an inspired collection of acoustic, folk and jazz-flavored songs, filled with hope and the earnest belief that the world is good.

Back to Now, the reunion release from Patti Labelle and her partners in Labelle, finds their piercing mid-'70s sound fitting perfectly amid today's music scene. In "Candlelight," the seemingly nonsensical title even makes sense: It looks back while sounding as fresh and funky as ever.