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David Greene talks Stefan Kornelius, foreign editor of Süddeutsche Zeitung, ahead of Monday's talks between President Obama and German Chancellor Angela Merkel.

Vivian Salama of the Associated Press joins Melissa Block to talk about the latest developments in Iraq — including a power struggle in Baghdad and the U.S. response to dangers facing Kurdish and Yazidi peoples.

Who says they don't make 'em like they used to? If you walked past theaters featuring special-effects-driven epics, chances are you could find something special in 2006. Critic Bob Mondello offers a breakdown of his Top 10 — and the 10 that nearly made it.

German Chancellor Angela Merkel gave a wide-ranging press conference today in Berlin with the German and foreign press. On the Trump-Putin summit in Helsinki, she seemed to welcome that the two met.

William Bolcom's Songs of Innocence and of Experience won the Grammys for best classical album, choral performance, and classical contemporary composition at Wednesday's awards ceremony. Other awards went to the London Symphony and singer Thomas Quasthoff.

On Second Stage, All Songs Considered producer Robin Hilton profiles the best of music's great unknowns. He chooses the best outsider artists of 2007: musicians who made remarkable recordings that were largely overlooked, led by Le Loup.

From French electronica and melancholy songwriters to worldly, eccentric indie-rock, here are 10 of this year's best debut albums, as chosen by Bruce Warren, executive producer of WXPN's World Cafe.

Shows like Good Morning America and the Today show can have a big impact on a broadcast network's image and bottom line. NPR's David Greene speaks with media reporter Brian Stelter about Top of the Morning, his new book about the high-stakes world of morning TV.

Phony Ppl and Megan Thee Stallion finally released the studio version of their Tiny Desk premiere. Hear that, plus Thundercat and Paramore's Hayley Williams on a playlist of the month's best tracks.

Dua Lipa gave us a disco bop, Code Orange glitched its way through an industrial-metal anthem and Kelsea Ballerini offered a thoughtful country ballad about a divided America.