Joel Wayne
ProducerExpertise: writing, production, hosting, programming, project management
Education: Idaho State, Boise State, University of Montana
Highlights
- Fave NPR memory is driving around at night in high school, listening to Echoes
- Got my first three tattoos on an episode of You Know The Place
- I serve as a facilitator for the local chapter of Death Cafe
Experience
I started working with Boise State Public Radio in 2018, first as a freelance podcaster and co-host of You Know The Place, which ran for six award-winning seasons, visiting funeral homes, ostrich farms, and nude retreats for the story. I later began working as a contract producer on Reader’s Corner and Something I Heard, the former in its 24th year of interviewing NYT-bestselling, Pulitzer and Nobel Prize winning authors, the latter a bite-sized literary break, along a monthly theme.
I’m a writer and a reader at heart. In my 9-5, I proudly serve as the public programs manager at The Cabin, a literary arts organization where I work on events with writers and journalists I admire, like Ira Glass, Louise Erdrich, Anthony Doerr, Steve Inskeep, Luis Alberto Urrea, and Elizabeth Gilbert, among many others. I’m always plugging away at a story or script, when I’m not traveling with my bride or telling my kitties to get off the counter.
-
On the second week of August, Kyle Bilinski reads an excerpt from Jaydn DeWald’s book, “The Rosebud Variations.”
-
On the first week of August, Kyle Bilinski reads “Telephone Repairman,” a poem by Joseph Millar.
-
On the fifth and final week of July, Monroe Williams shares his poem, “You Can and You Will."
-
On the fourth week of July, Monroe Williams reads “The Definition of Love,” a poem by Andrew Marvell.
-
On the third week of July, Monroe Williams reads “To Solitude,” a poem by Alice Cary.
-
On the second week of July, Monroe Williams reads “It Was Not Fate,” a poem by William H.A. Moore.
-
On the first week of July, Monroe Williams reads “Elegy Before Death,” a poem by Edna St. Vincent Millay.
-
On the fourth and final full week of June, Rebecca Evans reads “Memory,” a poem by Helen Hoyt.
-
On the third week of June, Rebecca Evans shares her flash essay, “Afterwards.”
-
On the second week of June, Rebecca Evans reads “How Music Stays in the Body,” a poem by Lee Herrick.